Source in Chinese / Japanese...

身土不二 (Shindofuni) is originally a Buddhist concept or proverb referring to the inseparability of body-mind and geographical circumstances.

This reads, “Body [and] earth [are] not two.”

Other translations or matching ideas include:
Body and land are one.
Body and earth can not be separated.
Body earth sensory curation.
You are what you eat.
Indivisibility of the body and the land (because the body is made from food and food is made from the land).

Going further, this speaks of our human bodies and the land from which we get our food being closely connected. This phrase is often used when talking about natural and organic vegetables coming directly from the farm to provide the healthiest foods in Japan.

Character notes: 身(shin) in this context does not just mean your physical body but a concept including both body and mind.
土 (do) refers to the soil, earth, clay, land, or in some cases, locality. It's not the proper name of Earth, the planet. However, it can refer to the land or realm we live in.

Japanese note: This has been used in Japan, on and off, since 1907 as a slogan for a governmental healthy eating campaign (usually pronounced as shindofuji instead of the original shindofuni in this context). It may have been hijacked from Buddhism for this propaganda purpose, but at least this is “healthy propaganda.”

Korean note: The phrase 身土不二 was in use by 1610 A.D. in Korea, where it can be found in an early medical journal.
In modern South Korea, it's written in Hangul as 신토불이. Korea used Chinese characters (same source as Japanese Kanji) as their only written standard form of the language until about a hundred years ago. Therefore, many Koreans will recognize this as a native phrase and concept.

See Also:  Strength and Love in Unity

荊棘 is a Chinese and Japanese Kanji word that means: thistles and thorns; brambles; thorny undergrowth; wild rose; bramble; briar patch; briars; thicket; the bush.

Sometimes this term is used figuratively to refer to an obstacle or source of difficulty that makes your path difficult.

為善最樂 can be translated as “Doing good is the greatest source of happiness” or “doing good deeds brings the greatest joy.”

The origin is not known but is sometimes used in the context of Buddhism. However, this Chinese proverb or philosophy is a relatively mainstream idea of benevolence.

不動心 is one of the five spirits of the warrior (budo) and is often used as a Japanese martial arts tenet.

Under that context, places such as the Budo Dojo define it this way: An unshakable mind and an immovable spirit is the state of fudoshin. It is courage and stability displayed both mentally and physically. Rather than indicating rigidity and inflexibility, fudoshin describes a condition that is not easily upset by internal thoughts or external forces. It is capable of receiving a strong attack while retaining composure and balance. It receives and yields lightly, grounds to the earth, and reflects aggression back to the source.

Other translations of this title include imperturbability, steadfastness, keeping a cool head in an emergency, or keeping one's calm (during a fight).

The first two Kanji alone mean immobility, firmness, fixed, steadfastness, motionless, and idle.

The last Kanji means heart, mind, soul, or essence.

Together, these three Kanji create a title defined as “immovable mind” within the context of Japanese martial arts. However, in Chinese, it would mean “motionless heart,” and in Korean Hanja, “wafting heart” or “floating heart.”

Jyorei or Johrei is a healing art that uses divine light to dissolve the spiritual impurities that are the source of all physical, emotional, and personal problems.

浄霊/浄靈 is a Japanese title that can refer to the purification of the spirit described above, but this is also the word for exorcism in Japanese.

Romanization variations include Jyorei, Johrei, Jourei and Jore. Regardless of romanization, the actual pronunciation is like "Joe Ray."

母 is a way to say mother in Chinese, Japanese Kanji, and old Korean Hanja.

This can also be an honorary title for an elderly female relative.

Sometimes this can refer to the origin or source of something. Examples: A spring might be the mother of a river, or experience could be the mother of success.

Taidō (The Way of the Body) is a style of Karate practiced in Japan and popular worldwide.

Taidō or 躰道 traces a lineage from Genseiryū (玄制流), which came from Shuri-te (首里手), one of the original martial arts schools of ancient Okinawa.

The first character 躰 is a variant of the original Chinese character 體. In modern Japan, they tend to use 体, a more simple character form. 体 is also the modern Simplified Chinese form of 體.
The 躰 character is correct for this 躰道 martial arts title. But it can be confusing with so many variants out there, not to mention other homophonic Japanese words that also romanize as Taidō or Taidou.

To have a bit more fun with this 躰 character, it has a 身 radical on the left, which sets it apart. The meaning doubles up on the “body” as 身 (shin) is a character that also means body in Japanese and Chinese. On the right is 本, which often means root, stem, origin, source, or fundamental (but can also mean “book” in some contexts). This has deviated from the original 體 which was 骨 (bone) + 豊 (vessel). Hence, the body was your “bone vessel” in ancient Asia.

The meaning of 躰, as well as 體 and 体, is usually translated as the body. When related to the physical body, it can also refer to the torso, trunk, build, physique, or the constitution of a person. As an extension of this, it can also refer to someone's health (good body = good health).
However, depending on the context, it can encompass other meanings such as form, style, system, experience, aspect, corpus, corporeal, substance, or essentials.

The second character, 道, is recognized and well-known as the “Way” and is the same “do” as in Karate-do or Aikido.

Peng, Lu, Ji, An, Cai, Lie, Zhou, and Kao are the eight fundamentals or forces of Tai Chi Chuan or Taiqiquan.

棚 (Peng) refers to the outward (or upward) expansion of energy.
履 (Lu) is often referred to as “rollback.” Lu is the ability to absorb, yield/deflect incoming force.
擠 (Ji) is often thought of as a “forward press.” However, it is also best described as a “squeezing out of space.”
按 (An) is a downward movement of energy, best translated as “(relaxed) sinking.”
採 (Cai or Tsai) translated as “downward pluck.” Cai is a combination of Lu and An.
列 (Lie or Lieh) is “Split” and is a combination of Peng and Ji.
肘 (Zhou) Elbowing.
靠 (Kao) Shouldering (for when the arms are bound/distance is too close to punch).

Source: https://combativecorner.wordpress.com/2015/12/03/the-8-energies-and-5-movements-of-taijiquan/